in-tangible texts ed. 1

Kamonpan Tivawong (b. 1995, Sukhothai) is a photographer and independent curator. She is interested in the interconnectedness between human and non-human agency, examining how these relationships shape cultural identities and social histories. Through critical exploration with social contexts and environmental change, her work questions their impact on land, communities, and local belief systems. Kamonpan holds a Bachelor’s degree in Photographic Arts from the Faculty of Fine Arts, Chiang Mai University. Her curatorial projects include Just like heaven (if it doesn’t feel like hell), in-tangible institute, Chiang Mai (2024); curatorial contributor for LIVING ANOTHER FUTURE, MAIIAM Contemporary Art Museum, Chiang Mai (2024); and A History of…, co-curated at The Goodcery, Chiang Mai (2023). She lives and works in Chiang Mai, Thailand.

Piyathida Inta was born in 1998 in Chiang Mai, Thailand. Working across artistic practice, curatorial work, and writing, her practice spans conceptual art, artistic research, and creative writing. She investigates indigenous identity and womanhood, exploring the sense of home as place, memory, and the interweaving of personal and collective relationships. Her work begins with personal and familial stories examining how experiences pass between generations before expanding outward to engage with wider cultural questions. Grounded in critical thinking and contextual analysis, her curatorial approach focuses on creating dialogues between artworks, artists, and spaces.

She is currently curator and manager at the Museum of Broken Relationships, Chiang Mai, and co-curator for Phimailongweek (2024–2025), a self-organized art collective called àt-sà-jan! creating site-specific exhibitions in Phimai, Nakhon Ratchasima. In 2023, she presented her solo exhibition Transition of Thoughts Through Existing Relations. She received a scholarship as teaching and research assistant during her MA at Chiang Mai University (2021–2022).

Bongkochakron Kampuk is an art writer who utilizes writing as a means to make contemporary art more accessible. By viewing art through the lenses of history, mythology, and popular culture, she weaves profound concepts into the fabric of everyday life, inviting new interpretations unbound by conventional explanations.

Extending her practice to art archiving, she contributes to databases for the Thai contemporary art scene by collecting, documenting, and organizing information on exhibitions as well as the career paths of individual artists. Currently, as an art and culture content creator at GROUNDCONTROL, she has published over 300 pieces of content—including articles and video podcasts—that bridge the academic world with popular culture.

Pearamon Tulavardhana (b.1994) is a writer and independent curator based in Bangkok with a research interest in mythology, spirituality, and indigenous folklore as well as the relationship between technology and culture, mainly image-making and community-building. She graduated with a Master of Arts in Museum Studies and Curatorial Practice from Nanyang Technological University, Singapore. Formerly a gallery manager at Gallery VER, Bangkok, from 2018-2024, she currently works independently as a curator, editor, writer, and critic. Her alias, memeseumofcontemporaryartbkk, is an internet meme account that criticizes the art world, especially in Thailand. Her writings are published in Thai and English including in media such as Artreview Asia, The Momentum, Way Magazine, and Thairath Newspaper.

Techin Rungwattanasophol (b. 2003, Bangkok) is currently pursuing a Bachelor’s degree in Multidisciplinary Art at the Faculty of Fine Arts, Chiang Mai University. His practice moves fluidly between writing, artistic practice, and curation, viewing these not as separate disciplines but as an integrated process of inquiry. Through these interconnected methods, he explores and critiques the contemporary world.

Fahmui Pimpakorn Pornpeng (b. 1996) is a Thai curator, interested in focusing on how contemporary art engages with both human and non-human societies through a planetary and multisensory lens. Furthermore, she is fostering sustainable platforms for knowledge exchange within ecosystems through workshops and experimental programs. 

She co-curated the exhibition The Supersensible (2023) at Taipei Digital Art Centre, the Ancestors (2024) at MAIIAM Contemporary Art Museum, and curated Apart a part exhibition (2025) at FAG Gallery, Khonkaen University and ALIEN Artspace. She earned an M.A. in Critical and Curatorial Studies of Contemporary Art from the National Taipei University of Education (NTUE) Taiwan, B.A. in Art History from Silpakorn University in Thailand. Fahmui is now an assistant curator at Dib Bangkok.

Kenneth Wong See Huat is an independent curator, writer, researcher, and founder of People Ideas Culture. His work explores the intersections of contemporary art, cultural heritage, migration, community participation, and everyday forms of memory across Asia. Trained in urban planning, cultural landscape studies, and curatorial practice, he has worked across disciplines including heritage conservation, cultural tourism, social innovation, and community-based art projects. Kenneth has presented and published internationally on topics ranging from food heritage and cultural mapping to queer ecologies and relational curatorial practices. He currently serves in advisory and leadership roles with several heritage and cultural organizations, including ICOMOS and ICOM. Through exhibitions, essays, walking projects, and public programs, he is particularly interested in how stories, places, and communities can be connected through acts of listening, interpretation, and collective care.